Where the Tracks Split the Pines

by Bethany Bruno

I return to the tracks when the heat breaks. The pines breathe the same sweet tar scent they carried when I was a child, the scent that hung over every mill town in Levy County when cedar mills and turpentine stills smoked through winter. Vines twist across the rails now. Brush crowds the right of way. 

Even so, the steel remains straight and stubborn, a line the land has not managed to take back. When I lay my hand on it, the metal holds the night’s last breath.

I rode these rails with my father in the years when the Seaboard Air Line carried freight from the camps to Gainesville, back before the mills thinned and the towns emptied. He claimed he could read the land by the sound of the wheels. Cypress hummed. Pine rattled quick. Marsh groaned low, a warning you felt more than heard. 

I believed him because a child believes anything spoken from the cab of a train. The rails never lied, and neither did he.

I did not yet understand how tightly memory can grip a single night. I knew only the rhythm of the joints and the steadiness of my father’s hands. Years later I learned that a choice made under smoke can echo through decades, that rails can carry you forward while keeping you bound to the place where you first understood what courage cost.

The night Rosewood burned in the first week of January 1923, we headed south with an empty freight car and a lantern swaying above us. I counted telegraph poles while my father smoked and watched the tree line. He took long pauses between draws, like he was listening for something woven deep inside the hum of the rails. 

Moonlight slipped thin across the pines. The woods held still, caught in the second before a breath.

Then came the crack. 

Not thunder. Not a falling limb. 

Something sharper, meant for harm.

My father’s jaw tightened. He pulled the brake lever and the train lurched. My apple rolled across the floor. Outside the window, sparks rose where darkness should have been.

My father’s name was Elias Bryce, though most men on the line called him K. The letter stitched white on his cap had been sewn by a sister who married and moved to Cedar Key before I was born. He ran freight along the Seaboard from the cedar mills through Levy County to Gainesville and Jacksonville. I rode with him whenever my mother’s nerves allowed it.

“You keep that child out all night and she’ll never settle in a bed again,” my mother said, pressing a folded biscuit into my hand as we left.

“She settles fine,” my father said. “Train rocks her better than anything we got at home.”

He winked at me. Pride climbed my throat so quick it nearly choked me.

January never cooled right in Levy County. Heat lay across the ground through New Year. Smoke from the turpentine stills hung in a steady sheet over the trees. Every breath tasted of pine and creosote and sweat.

From the cab I saw both towns. Sumner with its mill houses, wood yard, and white frame church. Rosewood with painted homes, neat yards, a school rising clean against the edge of the woods. Between them stretched pine and palmetto and black water collecting in the low places, places the rails always whispered through.

My father traded at the general store in Rosewood. He knew the Wrights and others who brought eggs, hominy, and syrup to the counter. He spoke of them as neighbors.

“Mr. Wright keeps a fair count,” he told my mother once. “Pays folks straight. Place runs honest.”

“They say that whole town’s colored out there,” my mother said.

“They built that town themselves,” my father answered. “Plenty of places round here can’t say the same.”

He said it in a hush, like a truth he did not want trampled.

A white man with a badge could walk both towns and call it order. A Black man in the wrong yard after dark could vanish without a word raised. I learned that from the hush in our kitchen, not from any book.

Another shot cracked. Sparks drifted. My father climbed down with the lantern, holding it steady.

Shapes broke from the trees.

A young woman stumbled forward barefoot, dress torn, soot streaking her arms. She held a baby whose face was gray with ash. Two children clung to her skirt, shaking so hard their knees struck. Behind her came an older woman, coughing into a cloth blackened with smoke.

“They burning it,” she said. “Burning Rosewood clean through.”

Behind them hovered more figures, eyes wide in the dark. Some limped. Some bent under the heat still pressing their backs. A man carried a little girl who buried her face in his neck.

They stopped at the edge of the lantern’s glow. A white man in the woods at night could mean help or danger, and history had taught them both.

My father froze. Not with fear. With recognition.

He lifted the lantern higher.

“Ain’t nobody dying on this track,” he said.

The older woman blinked at him.

“They said no man would stop a train tonight.”

“They’re right,” my father said. “A man ought not stop. Not tonight.”

He looked at the children’s blistered feet and the baby fighting for breath.

“But I’m stopping,” he said. “Bring them on.”

A boy stepped forward, fourteen at most, blood dried on his sleeve.

“You sure ’bout this?” he asked. His voice shook. “They’ll come for you.”

My father held his gaze.

“I’d carry worse in my soul if I left you out here,” he said. “Get everybody on.”

Women climbed into the freight car with shaking hands. A small girl cried from the sting of blisters. Men stayed at the shadows with rifles and axe handles, eyes trained on the dark.

My father climbed up the ladder.

“Only women and little ones inside,” he said. “Men, you run beside us till we take the bend. You climb in and they put bullets straight through this car.”

A man with a swollen cheek stepped close.

“You really reckon we can run alongside a moving train?”

“You already run through worse than anything this rail can throw,” my father said. “You make it to Wylly, they fall back.”

The man nodded. “We run, then.”

My father paused at the whistle cord. He glanced at me. His voice softened.

“You think I’m brave, tell your mama that.”

“You are,” I told him.

Something broke open in his expression.

“I can’t ride past folks burning in trees,” he said. “Not on these rails. Not tonight.”

He pulled the cord. The whistle cut the night.

“Hold on.”

When the train moved, the darkness turned to sound. Rails hammered under us, the engine straining. Men ran beside the cars, breaths tearing through their chests. One stumbled and fell. Another caught him under the arm and dragged him forward. A child cried inside the car, a thin, startled sound.

Bullets cracked across the road. One hit the tender with a hard shriek of metal.

“Down!” my father hollered.

I slid to the floor. Heat from the boiler wrapped around me.

The shouts fell behind. Gunfire thinned. Rails carried us through the last of the pines into open pasture touched by early light.

At the junction, mist lifted from the low places. A small station leaned into the wind.

My father signaled for the men to move through the trees. He walked to the freight car.

“It’s clear for now,” he said. “Stay close together till Gainesville. Cover your heads if you got anything clean left.”

The boy with the torn sleeve opened the door.

“How far back you figure they are?” he asked.

“Not past Wylly,” my father said. “They want fire they can see.”

The boy nodded.

“Sir,” he said. “We won’t forget.”

“You thank the sheriff if you cross him again,” my father said. “He pointed you this way.”

“You didn’t have to stop,” the boy said.

“I know,” my father answered.

The boy reached out and touched his forearm before closing the door.

I leaned out the cab window.

“Can I give them my lunch?” I asked. “That little girl didn’t have shoes.”

My father hesitated, then nodded.

“You go on,” he said.

I climbed down with the tin pail. Dew clung to the rails.

Henry opened the door.

“It’s from my mama,” I said. “I hope it helps.”

He nodded once.

“I’m Henry.”

“I’m May.”

He lifted the pail.

“I see you again, I’ll bring this back.”

“You keep it,” my father said. “Take it to a table that holds your people again.”

Henry gave a small smile and shut the door.

In Gainesville, people waited with sheets, water, clean clothes. They moved with steady purpose. Survivors coughed into cloths that still held ash. A woman knelt and pressed her forehead to her child’s, relief shaking her.

Henry helped an older man down and lifted the pail toward me.

My father spoke with a white man in a vest.

“He thanked me,” my father said once we were alone in the cab.

“That sounds right.”

“He told me not to do it again.”

“You gonna listen?”

My father stared down the tracks.

“We see what burns next time.”

At that age I believed courage traveled along rails, lighting the dark the way sparks flew from the tender. I believed one night could shift the world. I know better now. Those families needed more than a man with a lantern and a train. They needed a country that would not burn their homes for the color of their skin. My father’s choice did not change the world. But it changed me.

I have lived long enough to watch fire change its name but not its aim. In 1964 I stood in my kitchen and listened to the radio describe men dragging protestors into the surf in St. Augustine. They held them under like the ocean could wash away the sin. My daughter asked why people still had to beg the law to see them as human.

I told her pieces of the story, the safest pieces. I said the world was changing. I did not tell her that I thought of Henry and stayed home. I did not tell her that my feet stayed planted on the safe side of a line while voices from a place I knew cried out on the radio.

My father stopped a train.
I dried dishes.
That difference rides my rails more than his.

My father drove freight another twenty years. Men quieted when he walked into stores. Some stopped calling him K. He carried his cars in on time. He rode alone more often after that night.

He never claimed regret. But the night lived inside him. It showed in the way he paused at windows during storms, in how his eyes followed the tree line on runs through Levy County. Some men wear their choices like medals. My father carried his like a weight he would not set down.

At home we spoke little of Rosewood. My mother had heard by the time we returned. She asked nothing at supper.

Later I heard her voice through the thin wall.

“You could have been killed. You brought our child into that.”

“I brought her through it,” he said.

“They come for you.”

“Men who burn a town already hate me,” he answered. “Standing back won’t fix that.”

Her voice broke on his name.

“If I’d left them,” he said, “I’d see their faces every time I shut my eyes.”

Now, years later, I return to the rails. I press my palm to the steel. It cools my skin, the way a confession cools a throat. The woods have taken back the edges. My father lies two towns over. My mother rests beside him.

In the quiet, the old rhythm rises. Wheels striking joints. Breath of an engine pulling hard. Gunfire cracking through pine. Henry lifting the pail. The crying baby whose breath shaped everything that night.

I do not know what became of Henry. Maybe he moved north. Maybe he stayed in Gainesville and raised children who never heard the name Rosewood. Maybe he walked these tracks and remembered the rails that carried him away from fire.

What I know is this. For the length of one hard run from smoke to station, our lives rode the same steel. My father held the lever. Henry held an older man upright. Women held their children and prayed the rails would carry them somewhere beyond flame.

The world keeps a longer ledger for hate than for courage. Towns vanish. Rails rust. Stories fall away.

But rails remember.

They remember every weight, every footstep, every cry swallowed by pine and smoke.

They remember the choices people make when the night cracks wide open.

I keep my hand on the rail until the metal warms beneath my skin. 

Then I rise and walk back toward the road, pine scent trailing behind me, the rails stretching ahead, straight and patient, waiting for the next person who must decide which way a life will run.


BETHANY BRUNO is a Floridian author whose work has appeared in more than a hundred literary journals and magazines, including The Threepenny Review, The Sun, McSweeney’s, River Teeth’s Beautiful Things, and The Huffington Post. A Best of the Net nominee, she won the 2026 Saturday Evening Post Great American Fiction Contest. Her website is www.bethanybrunowriter.com.