Photo by William Christenberry

by Kate Daniels

Akron, Alabama, circa 1960

This is what it was like to grow up
down there, then. A pretty place
but desolate. The signs that are supposed
to tell you what to do, or be, or buy
are faded to the point of inarticulation.
You surmise people used to talk
about everything you need to know
but have grown silent for some reason.
A black man sat down in a soda shop
to eat a bite, and terrified, it seemed, the patrons.
I was there in that tense silence,
licking my strawberry cone, and it was
just like this picture of kudzu in winter,
the prettiness all covered over
with something growing too fast,
enshrouding the landscape with a sinewy
fabric that lives off the lives of others.
Or this next one of the house and car
in Akron, Alabama. The house is beat-up
and rusty, but habitable. You could live there
fine until something happens – a cross
flaming on the uncut lawn, or your housegirl’s husband
with his foot shot off. That blue car’s
been in the yard forever just waiting
for you to need it, and now you do.
So you head out, past the washer on the porch
and down the walk. You get in and realize
you’re not going anywhere: it’s up on blocks,
overrun by families of mice and birds. Why
did you never notice that before? How stuck here
you are with the blank sky and the fallen fences, the awful
unexplained silences of the South.


Kate Daniels is the author of three books of poems, and has just completed a fourth collection entitled My Poverty. She has edited Muriel Rukeyser’s selected poems, a volume of essays on Robert Bly, and most recently, a forthcoming anthology of poems about Psychoanalysis and Psychotherapy. Daniels is Associate Dean of the College of Arts & Science at Vanderbilt University in Nashville, Tennessee. “Photo by William Christenberry” first appeared in American Poetry Review 29/2 (March/April 2000). “Crowns” and “Polack” appeared in Five Points in 1999 and 2002. All work © Kate Daniels. Printed or reprinted by permission of the author.