Ekphrasis on the Cover of Armchair Apocrypha

by John A. Nieves

How do we see the back of the parakeet if all else is total
blackness, a dark so deep a pixel couldn’t pierce it? Is it
in front of the bird or all around it? Is it some avian beacon
pressing its exact greenness into a sea of nothing else? How

should we reckon with never seeing its face, eyes as useless
as a cave newt’s? What does color mean in a world with all
the lights out? Is the greater mystery what a beak-slipped
song would ricochet off of? In this, I understand. I write this

to you across the time behind me like the nothing before
that pristine plumage, like before you slipped off the road and out
of your name and your voice became as empty as bird-view,
as quiet as a night without cars, or reflectors, or stars, or night.

This is how I know the bird is still singing to no one it can
find. This is how I know how much nothing can hold.


JOHN A. NIEVES has poems forthcoming or recently published in journals such as: Hopkins Review, Iowa Review, American Poetry Review, swamp pink and New Ohio Review. A 2024 Pushcart Prize winner, he also won the Indiana Review Poetry Contest and his first book, Curio, won the Elixir Press Annual Poetry Award Judge’s Prize. He is associate professor of English at Salisbury University and an editor of The Shore Poetry. https://johnanieves.com