Of Psalms & Alabama

by Okoli Stephen Nonso

The first night, the trees stood apart from one another
like men in a church who have learned silence as inheritance.

Here, even the air conditioner hymns like psalms,
cold breath stitches into the drywall of every room.

I walk beneath billboards fat with smiling teeth
each mouth bright as a wound refusing to clot.

The rivers drag their brown skirts through the state,
slow as old women carrying grief to market.

In the grocery store, peaches sweat under light;
their sweetness feels rehearsed, almost governmental.

A white woman says baby to strangers in the checkout line,
and I flinch the way dogs do before thunder arrives.

Night falls early here. Crickets needle the dark
until the whole county sounds embroidered with ghosts.

At the gas station, a boy lifts ice into a silver truck
his arms glisten like somebody has baptized him in oil.

Sunday enters the city wearing its good shoes.
Even the abandoned houses seem to kneel a little straighter.

I have begun to understand loneliness differently:
not as emptiness, but as a field enormous enough to echo God.


OKOLI STEPHEN NONSO (he/him) is a Nigerian poet and graduate student at the University of Alabama at Birmingham. His writing explores places, history, memories, and cultural identity. His works have appeared or are forthcoming in Indianapolis Review, Ellipsis Literature & Art, Good River Review, Hawaii Pacific Review, Feral Journal, Adelaide Literary Magazine, Brittle Paper, The Bookends Review, Olney Magazine, Progenitor Art and Literary Journal, Ofi Press, and elsewhere.

 

A co-winner of the 2026 Collins Family Endowed Scholarship and a recipient of the 2025 UAB English Department Achievement Scholarship, he was named The Muse Journal’s Best Literary Artist of the Year in 2024. His poems have also earned recognition as first runner-up in the Fresh Voice Foundation Poetry Contest and third prize in the Akuko Magazine Inaugural Poetry Prize (2021). He is a Longleaf Scholar.